Goobers from The Daily Texan on Vimeo.
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1: ABSTRACTION:
Begin with an object that will be used for inspiration (Matrix). This can be
anything abstract OR abstracted.
2: RECOGNITION:
The artist's Recognition can vary from Replica to Abstraction.
3: PRESERVATION:
Depending on the amount of Extraction that will take place, the artist should
Preserve the Matrix before Extracting the Recognition; keeping in mind the
Presentation.
4: EXTRACTION:
From sculpting away, to merely pointing it out, the artist coax's
the suggestion from the Matrix.
5: PRESENTATION:
Exhibition of the Abstract (Matrix) and Extract varies greatly and can be
anything from a simple side-by-side presentation to elaborate viewer
interactivity that reveals the Extraction.
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Good Luck Waking Up:
Constitution for these united States
Project Censored
Deliberate Dumbing Down
Black Box Voting
Taxable Income
Drafted into Slavery
Herbal Healer
The Memory Hole
Republic Broadcasting Network
Contrails
Freedom Force International
Freedom Force International
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31/Jan/05 : Mon 7:00 pm CST25/Jan/05 : Tue 6:00 am CST19/08/04 : Thur 2:38 pm CST09/08/04 : Fri 10:24 pm CST24/07/04 : Sat 10:24 pm CST02/07/04 : Fri 5:04 pm CST30/06/04 : Tues 6:08 pm CST 1: ABSTRACTION: Begin with an object that will be used for inspiration (Matrix). This can be anything abstract OR abstracted. Throughout our history, mankind has recognized replicas in objects. During that time, many creatives have come across the curiosity - giving it their own twist: complete with new vocabulary and the most unique techniques and applications. Here's mine: Abstract Extractionism™ Abstract Extractionism is the study and practice of the Recognition of an idea, image, scene or other abstract in Abstraction and the subsequent Extraction of it, utilizing the Cavazos Method, in part or in whole. The Cavazos Method™: 1: ABSTRACTION: Begin with an object that will be used for inspiration (Matrix). This can be anything abstract OR abstracted. Abstract Extractionism and the Cavazos Method are a Trademark of Ismael Cavazos. A key characteristic of the field is that there is no one meta term that is universally recognized by all to describe and categorize the phenomenon. Therefore, Abstract Extractionism is also about looking closely at how past and current creatives dealt/deal with the subject. Scribblism Botanical Character Studies Balloon-Painting Fred Ressler Juan Pastrano Rob Nye Mark D. Phillips Old Man in the Mt. Lloyd Stewart Carpenter Auto Expressions Diana Duyser Ditto Dalcher A customer of Seminole Finance Corp, in Clearwater, Florida Phil Plait Ella Huffin enter "bugmenot@hotmail.com" to access this site Bob Bernstein Agate Suiseki (pr. suh-EE-seck-eh) Scholars' Rocks Cypress Knees Constellations Tea Leaf Reading Max Ernst's Frottage Hermann Rorschach Victor Marie Hugo Justinus Kerner's Klecksography Louis Brassard H. W. Janson George Brecht Alexander Cozens Leonardo da Vinci Protogenes Past attempts at defining Abstract Extractionism: Most definitions have a bias either towards chance/random or destiny/divinely ordained. Dali's bias is towards a state of mind. Rob Nye's bias is towards his own work - his definition is limited in it's scope. First, witness, as a writer freely uses three of the words listed on this site interchangeably... Horace Walpole's Serendipity invented 1754 Cozen's New Method invented 1785 Carl Jung's Synchronicity invented 1875 - 1961 Dali's Paranoiac-Critical Method invented 1930's Klaus Conrad's Apophenia invented 1958 Steven Goldstein's Pareidolia invented 1994 Rob Nye's Extractionism invented 2000 Wikipedia's Religious Pareidolia invented 2003-4 Ismael Cavazos' Abstract Extractionism invented 2005 Aleatoric Chance Images Referred to, but missused vocabulary: Simulacra Eidetic Abstract Extraction is the Forefather of the Visual Pun (top left corner), which is the Forefather of Optical Illusions. image in clouds, images in clouds, image in the clouds, images in the clouds, clouded images, virgin mary, cloud images, inkblots, scribbles, scribble, scribbling, scribblish, scribble art, senor scribbles, sir scribbles, inkblot, old man in the peanut, serendipity and the sage, double images, images in patterns, patterns, images in abstraction, abstract images, shadows, shadow images, rock face, images in rocks, faces in rocks, face in rocks, artist wang mo, folds of clothing, faces in folds, visionary, visions, artist, artists, art, arts, artwork, artworks, futurism, future, pareidolia, pareidoliac, pareidolism, pareidolia is incorrectly used, pareidolia and abstract extractionism, peanut art, peanut gallery, from peanuts to riches, the peanut gallery, a peanut gallery, the peanut galleries, a carved peanut, carved peanut, carved peanuts, peanut carvings, a peanut carving, peanut carved, peanuts carved, peanut carver, peanut carvers, old man in the peanut, secret of the sages, the sage of the leguminati, man in the peanut, the art of the peanut, ismael mauricio cavazos, ismaelcavazos, cavazosismael, cavazos ismael, austin artist, austin artist ismael cavazos, austin, houston, dallas, texas, tx, TX, ATX, local art, pareidolia is often missused. pareidolia was first used in 1994. Many time the word pareidolia is used when Abstract Extractionism should be used. Those who study pareidolia or use it as an art will more than likely come across scribblism, abstract extractionism, the secret of the sages. Why is it that pareidolia cannot be found in print dictionaries? |
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